Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers
“An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many revolutionary filmmakers, September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime of this belated ’70s and very very early ’80s for their unabashedly governmental works. Szulkin’s films that are profoundly imaginative be considered as existential stories, absurdist parables, or premonitions about contemporary society’s hostility plus the evils of totalitarianism. Drawing from 20th-century philosophy and Polish literature that is medieval speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to produce shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were seldom seen away from their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global governmental environment.
Among the largest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin offers an array of brand brand brand new electronic restorations and brought in movie images. The show showcases each of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War associated with the Worlds: Next Century, a reimagining of this H.G. Wells novel as well as an indictment of mass media’s influence on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the remaining survivors of the nuclear apocalypse because they watch for a mythical Ark to truly save them from their serious situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is delivered for a objective up to a authorities state hell earth; and Szulkin’s last movie, King Ubu , on the basis of the 19th-century Albert Jarry play, a brutal commentary on modern Poland into the aftermath of this Communism Szulkin criticized throughout their profession. Furthermore, the retrospective will highlight Szulkin’s quick movie work, such as the folklore-inspired morality play Dziewce z ciortem and also the documentary Working Women .
Presented in collaboration with all the Polish Cultural Institute nyc.
Organized by Florence Almozini and Tyler Wilson.
Tickets go on sale Thursday, August 15 and so are $15; $12 for pupils, seniors (62+), and persons with disabilities; and ten dollars for movie at Lincoln Center users. Save utilizing the purchase of three seats or even more.
Acknowledgments: Polish Cultural Institute Ny; Daniel Bird
FILMS & DESCRIPTIONS All tests occur in the Walter Reade Theater (165 western 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal parts coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a set of shockingly randy puppets—as it savages faith, their state, together with notion of the family that is nuclear.
Preceded by: brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life on the planet has grown to become therefore wonderful that only prisoners are utilized for the high-risk company of room research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is sent on an apparently condemned objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously just like a dilapidated, postapocalyptic world, where he could be welcomed because of the population as being a “hero,” an ignominious honor, he quickly learns, that is included with a many barbaric fate. Using the film’s title that is appropriately nonsensical the babble of their infant child, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
brand brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in a few dystopian future, boffins try to produce a unique, flexible competition of humans. a apparently ordinary item of this work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab Soviet bloc architecture. Szulkin’s bold function first, styled in sepia tones and dramatic illumination, is known as a precursor to Blade Runner , but its title additionally appears back into a more ancient misconception of creation and morality.
Preceded by: New electronic restoration The Gal as well as the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play about a sinful woman’s encounter aided by the devil, set to your Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New electronic renovation King Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere predicated on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie can be a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) and then institute their own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a new dosage of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from a musician whom mail order brdes devoted their profession to lobbing grenades during the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm
Brand brand New electronic restoration O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the very last vestiges of civilization. These are generally spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, by the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to push away total collapse. Doing work in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays away like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
brand New electronic renovation The War regarding the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts with the Christmastime takeover of Poland by way of a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) once the sound of these 1984 propaganda machine that is-esque. However when Iron dares to set off message, he makes an enemy also more than the aliens: the continuing state it self. Released just like Poland was being plunged into martial legislation and straight away prohibited, The War regarding the Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and news manipulation in a post-truth globe. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm
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